Friday, December 26, 2014

[T346.Ebook] Get Free Ebook Mechanical Vibrations (Dover Civil and Mechanical Engineering), by J. P. Den Hartog

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Mechanical Vibrations (Dover Civil and Mechanical Engineering), by J. P. Den Hartog

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Mechanical Vibrations (Dover Civil and Mechanical Engineering), by J. P. Den Hartog

This classic textbook by J. P. Den Hartog, retired professor of mechanical engineering at MIT, reflects the author's unique ability to combine the scholarly insight of a distinguished scientist with the practical, problem-solving orientation of an experienced industrial engineer. Although mathematics plays a role in the subject, Den Hartog employs the simplest possible mathematical approaches. His lucid explanations of complex problems are presented in a direct style and supported by illustrative models. Numerous figures in the text enhance its value as a basic foundation in a field which Den Hartog calls "a necessary tool for almost every mechanical engineer." The author examines such topics as the kinematics of vibration (including harmonic motions and non-harmonic periodic motions), degrees of freedom, gyroscopic effects, relaxation oscillations, Rayleigh's method, natural frequencies of torsional vibration, Karman vortices, and systems with variable elasticity. Drawing on his experience as an engineer in private industry and in the U.S. Navy's Bureau of Ships, Den Hartog applies theory to practice, discussing the effects of vibrations on turbines, electrical machines, helicopter rotors and airplane wings, diesel engines and electrical transmission lines.
As a special aid to classroom work or self-study, this practical text includes an extensive selection of 233 problems and answers that test the student's mastery of every section of the book. In addition, a highly useful Appendix contains "A Collection of Formulas" for determining the load per inch deflection of linear springs, the load per radian rotation of rotational springs, the natural frequencies of simple systems, the longitudinal and torsional vibration of uniform beams, the transverse or bending vibrations of uniform beams, and the vibrations of rings, membranes, and plates.
When Mechanical Vibrations was first published in 1934, it was a pioneering work in a field which had just been introduced in America's technical schools. In fact, the author wrote it to assist him in teaching the subject at Harvard. "During the life of the book," he says, "from 1934 on, the art and science of engineering has grown at an astonishing rate and the subject of vibration has expanded with it." Professor Den Hartog's constant revisions have kept his book at the forefront of this vital subject, as useful today as its earlier versions were to students of the past.

  • Sales Rank: #100517 in Books
  • Published on: 1985-01-01
  • Released on: 1985-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.49" h x .88" w x 5.40" l, 1.05 pounds
  • Binding: Paperback
  • 464 pages

About the Author

J. P. Den Hartog: The Reprint Engineer
J. P. Den Hartog (1901–1989), who taught for most of his career at MIT, was one of the founders of the Dover reprint program in engineering. As the author of several books that Dover reprinted and still has in print, and as an advisor from the 1950s until just a few years before his death in 1989, Professor Den Hartog gave invaluable advice concerning books of lasting interest and importance in his field.

Not many books in engineering have a productive shelf life spanning several decades. Among the exceptions are these four books of Professor Den Hartog, which Dover reprinted and occasionally revised in later printings from 1961 through 1987: Mechanics, 1961, Strength of Materials, 1961, Mechanical Vibrations, 1985, and Advanced Strength of Materials, 1987. Still widely read and cited by authors in these areas, Den Hartog's books are a tribute to his gift for exposition and clarity.

The J. P. Den Hartog Award, established in 1987, is presented in recognition of lifetime contributions to the teaching and practice of vibration engineering.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Theory applied to practical problems
By Amazon Customer
I purchased Hartog's book together with Meirovitch's Fundamentals of Vibrations and Kelly's Schaum's Mechanical vibrations. I must say that Hartog and Meirovitch complement each other beautifully whereas Kelly's book feels a little superfluous.

It is clear from the book that Hartog himself had extensive experience with real world vibration analysis. The theory is developed while analyzing a range of mechanical mechanisms and electrical circuits that frequently are important in real vibrating systems. Hartogs book is therefore useful as a reference, for instance for how the piston excite vibrations in the engine frame. Although quite old, the book does not feel dated. The type setting is old school with numerous small but clear figures.

Meirovitch's book is more modern in its presentation. Meirovitch prepares the reader for modern methods of vibration analysis such as frequency response analysis of continuous systems with the aid of the finite element method. Meirovitch also make extensive use of matrix algebra and analytical mechanics. However, Meirovitch lacks in practical examples.

Overall I recomend the book, especially in combination with Meirovitch.

0 of 0 people found the following review helpful.
The leading classic in vibration engineering.
By Allan Pierce
This book was first published in 1934 by McGraw-Hill and remained through 4 editions for 40 years one of McGraw-Hil's all-time best sellers in engineering and physics. It is filled with practical examples and continues to be a major source for down-to-earth explanations of vibrational phenomena. Partly because of the intellectual and practical impact of this book, the American Society of Mechanical Engineers established the ASME J. P. Den Hartog Award that recognizes life-ltime contributions to the teaching and practice of vibration engineering. All active workers who I know in vibration engineering own and frequently consult this book.

0 of 0 people found the following review helpful.
Five Stars
By Vernon L. Maddox, Jr.
Most interesting engineering text.

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Monday, December 22, 2014

[C840.Ebook] Download Rockin' Out: Popular Music in the U.S.A. (6th Edition), by Reebee Garofalo, Steven Waksman

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Rockin' Out: Popular Music in the U.S.A. (6th Edition), by Reebee Garofalo, Steven Waksman

 

Examines the social and business sides of rock history

 

Rockin' Out: Popular Music In the U.S.A., 6/e, analyzes the music and business of rock ‘n roll. This comprehensive, introductory text takes readers from the invention of the phonograph to the promise of the Internet. Topics include: the rise of television idols, the proliferation of alternative sounds, and the influence of digital production techniques.

 

 

  • Sales Rank: #360124 in Books
  • Brand: Pearson
  • Published on: 2013-07-27
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .80" w x 7.90" l, .0 pounds
  • Binding: Paperback
  • 552 pages
Features
  • Used Book in Good Condition

Review

 “The book covers a wide base of American music, from Tin Pan Alley to hip hop, addresses the major artists in various genres, and goes chronologically, in a systematic, logical order.  I feel that Rockin' Out is probably the best "Rock/American music" textbook out right now. “

                   - Jason Lester, Wharton County Junior College

 

“This book's greatest strength is the author's ability to demonstrate the continuing relevance of these economic, political, and otherwise extra-musical concerns and controversies throughout the history of the music. I feel this is the most contemporary and up-to-date survey of popular music history, politics, economics, and sociology on the market.”

                   - Kris Tiner, Bakersfield College

 

“I do believe that the chronological nature of this text is excellent.”

                   - Scott Bacon, Drexel University

About the Author

Reebee Garofalo is Professor Emeritus at UMass Boston, where he taught for 33 years. His most recent book is Rockin' Out: Popular Music in the USA. He has written numerous articles on popular music for popular as well as scholarly publications and has lectured internationally on a broad range of subjects relating to the operations of the music industry. Garofalo has been active in promoting popular music studies internationally, as a member of the Executive Committee and past Chairperson of the International Association for the Study of Popular Music-US, and an editor for several popular music journals, including the Journal of Popular Music Studies. At the local level, Garofalo serves on the organizing committee for the HONK! Festival, an annual gathering of activist street bands. For relaxation, he enjoys drumming and singing with the Blue Suede Boppers, a fifties rock 'n' roll band, and marching with the Second Line Social Aid and Pleasure Society Brass Band, an activist New Orleans-style brass band.

 

Steve Waksman has turned a lifelong involvement with music as a player and listener into a career as a scholar of rock and pop. Associate Professor of Music and American Studies at Smith College, his works include the books Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience, and the award-winning This Ain’t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk. He has contributed essays to several journals and edited collections, including the Cambridge Companion to the Guitar, the Continuum Encyclopedia of Popular Music of the World, Listen Again: A Momentary History of Pop, and Metal Rules the Globe. In 2008, Waksman was the keynote speaker at the Rock and Roll Hall of Fame’s American Music Masters event honoring the legacy of musician and inventor Les Paul. He is currently researching a new book on the cultural history of live music and performance in the U.S. from the mid-nineteenth century to the present, and co-editing the Sage Handbook of Popular Music with Andy Bennett.

 

Most helpful customer reviews

0 of 0 people found the following review helpful.
I would read it, even if I didn't HAVE to for class.
By Elizabeth
This book was required for one of my humanities classes that I was taking online. I definitely recommend the electronic version as it is easy to search a key word and find answers for your homework/quizzes. However, with that being said, I actually do read the book, not just look around for the answer in the chapter. I find this book to be an enjoyable read and I have to say, it is the only book I actually read during the semester, rather than just searching for answers.

0 of 0 people found the following review helpful.
Looks great! I don't see any marks or highlights yet ...
By Lexi
Looks great! I don't see any marks or highlights yet and the book looks fairly new and untouched. Very happy with my purchase.

0 of 0 people found the following review helpful.
Rock on!
By Jessica
Good book and super interesting. Required for class but definitely still interesting.

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Friday, December 19, 2014

[O981.Ebook] Free PDF I Am Charlie Wilson, by Charlie Wilson

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I Am Charlie Wilson, by Charlie Wilson

The long-awaited memoir of seven-time Grammy-nominated artist Charlie Wilson, the iconic R&B and Funk singer-songwriter-producer—interwoven with his recollections of collaborating with fellow artists such as Stevie Wonder, the Rolling Stones, and Snoop Dogg.

Recognized the world over for his distinct voice and timeless hits spanning a career of nearly half a century, Charlie Wilson is one of the most celebrated musicians of his generation. So it took friends and family by surprise when he checked into rehab and revealed that he had been not only homeless, but also helpless.

Here, in the memoir fans have been demanding, is the story of how love and faith carried him through not only his addiction, but also prostate cancer. Here, too, is the story of his work in the music business, including a career resurgence that saw collaborations with some of the most sought-after artists of today, including Pharrell and Justin Timberlake.

Now over twenty years sober, Wilson recounts a life filled with vertiginous highs and heartbreaking lows. His is a story of triumph over adversity, courage in the face of extreme hardship, and love when all else is lost. It is a tale of the last sixty years in social and pop culture history, and one that will stay with you for years to come.

  • Sales Rank: #444767 in Books
  • Published on: 2015-06-30
  • Released on: 2015-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

Review
I can still remember first hearing the music of Uncle Charlie and The GAP Band as a kid in Long Beach, California. When I started taking my rapping seriously, he was someone that I always wanted to work with. I was lucky enough to make that happen when he got down with me on my album Tha Doggfather. It's been nearly two decades since that record dropped and Charlie and I have been family the whole time. We've made hit records together, rocked the Live 8 stage, and I even got to honor him at the BET Awards when he got the Lifetime Achievement Award. He's been an inspiration, mentor and a big role model to me as a father and a husband. He taught me how to love my wife and kids first and my career after. He’s been there for me when I needed him the most and I hope I have been the same to him and his lovely wife and son Michael “Pesci” Paran. We are family. He’s my uncle by love not by blood. First name Charlie last name Wilson. (Snoop Dogg)

Wilson's engaging story frames the excess of a life in pop-culture music while illustrating the way that faith, love, [and] determination can overcome even major obstacles. (Publisher's Weekly)

A moving, powerful story of survival and redemption—like The Gap Band would say, outstanding! (Alan Light author of Let's Go Crazy: Prince and the Making of Purple Rain)

About the Author
Charlie Wilson is an American R&B/soul music legend who has been nominated for seven Grammy Awards, including Best R&B Album for “Uncle Charlie” and Best Male R&B Vocal Performance for “There Goes My Baby.” Sober for nineteen years, Wilson signed with Jive in 2004 after landing his first No. 1 Billboard Urban AC hit in 2000, “Without You.” Wilson averages seventy-five to one hundred shows a year between concert tours, festivals, and private events, while also devoting his time to charity work as a spokesperson for the Prostate Cancer Foundation. He lives in Los Angeles with his wife.

Excerpt. © Reprinted by permission. All rights reserved.
I Am Charlie Wilson Prologue
Our house was very musical, but we weren’t allowed to play the blues. That’s what my mother would call any music that wasn’t gospel—the blues. Irma Delores Wilson was saved, sanctified, and filled with the Holy Ghost, and in her mind, if you couldn’t sing a particular song loudly from the front pews of the Church of God in Christ, then, like cigarettes, alcohol, and cursing, it was a sin against the good Lord. Something that would land you on the wrong side of heaven’s gates.

Mind you, there wasn’t any such thing as black radio in Tulsa. You had one radio station back in the fifties and sixties, and that station played Frank Sinatra, Elvis Presley, the Everly Brothers, and the like, which we could listen to occasionally when we rode in the car. But if we wanted to hear R & B music—Sam Cooke, Otis Redding, the Rolling Stones, the Temptations, the Supremes—we had to go next door for that. Miss Hanna, our neighbor, had all that music in spades, sitting right there next to one of the best-sounding stereos and speaker systems in our neighborhood. Her records were shiny, too—she kept them clean and scratch-free. My brothers, my friends, and I would sneak over there and listen to Sam Cooke’s “You Send Me” and everything by Harry Belafonte. Our favorite was James Brown, a god in and of himself. He brought a whole other level of energy and soul that we could detect even at a young age. With him, you wouldn’t be satisfied sitting in your chair and tapping on the counter; he was doing something completely different from that Motown romanticism—not just lyrically but musically. Motown had a heavy backbeat on the two and the four, with a tambourine attached to it. When James punched the two and the four and the horns would hit and the snap of the snare drum pounced—it was bam! Like gunshots. It was so powerful and monstrous you couldn’t help but dance. He straightened everybody out with that funk, like, “Here I come, here I go, and here I’m going to stay.” He was the leader. I was only about eight or nine when James Brown was leaving that indelible artistic mark, and every last one of my friends and I loved him with abandon. We all tried to do the “James Brown.” His feet were so fast and the splits so badass. He had a hold on every young kid and teenager who ever dreamed of making music. That none of that was allowed in my house, where my father was a preacher and my mother a choir director, just made me love “the blues” even more.

Still, from the youngest age, I was so moved by this soul music, I wanted to share it with my parents. There was one artist whom I thought even they, especially my mother, could appreciate: Stevie Wonder. He moved something deep inside me. I’ll never forget the first time I heard Stevie Wonder at Miss Hanna’s house. He sounded like a twelve-year-old version of my mama. In fact, I thought he was a girl—rolling his voice with that same sound quality Mama had when she sang and played piano at my father’s church—until somebody told me otherwise. One day when I heard “Fingertips” on the radio, I nearly lost my mind. I ran over to Miss Hanna’s window and yelled out to my mother to listen, and then I turned the stereo up really high. She smiled, I snapped my fingers to the beat, and Stevie, well, he worked those licks and riffs that became part of his repertoire.

Nobody was making those runs on the radio.

Nobody.

Stevie was the first, and he was incredible. That he was a young boy, just a bit older than me, encouraged my already intense desire to sing. Prior to hearing Stevie, I didn’t believe that anybody could touch the performance ability I’d displayed in church and at home and had already been getting accolades for. But there he was.

“I can get him, Mama! I can get him! I can sing like that!” I yelled.

My mother laughed. And then she got serious: “Boy, you ain’t playing no blues.”

Call it what you want, a sixth sense, a gut instinct, a premonition, or simply a mother’s intuition, but Mama understood the trouble that could come with being a secular celebrity. The drinking. The drugs. The women. The jealousy and envy. The danger. The incredible rise and the dizzying plummets. The stakes were high. And she wanted to protect her son—a naïve, impressionable church boy—at any cost.

She did the best she could. I didn’t listen. My talent, this God-given gift of vocal, performance, and musical production skills, was too strong a pull. As soon as I could, I ran toward the fire. And I got burned. In part because that is the way of the music industry: it sucks you in and, if you are not careful, chews you up into bitty pieces and spits you back out into the wind. But also because, like my mother probably knew deep down in her gut, I was not naturally endowed with all the bravado you need to navigate stardom. Not in the earliest of my days in the spotlight, anyway.

My friend Rick James, whom I’d meet after my family band, The GAP Band, started making it, knew this, too. He used to tell me that I was much too quiet. Rick was boisterously charismatic, the way he walked, the way he commanded a room. When I met him in 1978 or 1979, he was already a bona fide rock star and was covering some of The GAP Band’s music in his shows. He was on the Motown label, so he had a machine in his corner. He also had the Stone City Band up there onstage with him and a fan base that got downright rabid from the moment he’d come out, shirtless, into the spotlight, the tails of his long leather coat flying behind him, his man tights and leg warmers sitting funky in his cowboy boots, and all that hair swinging past his shoulders. When his fingers got to prancing across the strings of his guitar and the audience made out the notes for the intro to “You and I” or caught wind of the opening licks to “Mary Jane,” the entire arena would combust into all kinds of screaming and shouting and frenetic energy. Rick James was electric, and he was drawn to me because I was his complement onstage—wild and full of bravado. Active. He liked that. He liked me. And pretty quickly after we met, we were fast friends, running the streets and hitting the clubs and getting into all kinds of debauchery together. But it was hard for me to keep up with Rick.

One night he had me ride in the limo with him and an entourage of about ten people as we headed for the China Club in Los Angeles. Rick was practically talking in tongues—“All you gappers and finger snappers and toe tappers and you love rappers,” that line from The GAP Band’s “I Don’t Believe You Want to Get Up and Dance (Oops!),” was just one of the jewels Rick dropped that night in the limo—and to say he was amped when it came time to walk past the velvet rope and into the doors of the China Club would be an understatement. I was by his side in the car, but by the time all the people piled out of that limo and the bodyguards started jumping out of their cars and the swag level of Rick James and his entourage was turned up to one thousand, I was all the way in the back of the line, having been shoved out of the way by Rick’s various groupies and clingers-on as they jockeyed for space in his orbit.

That’s the way I was: Vibrant onstage but quiet and unassuming off. Too afraid to speak up. Rick was a superstar. Me, I was just the lead singer in a band. “You’re too humble,” Rick said to me when we finally found each other in the VIP room after twenty minutes. I didn’t want to cause a scene or be a problem to anybody, and he wanted me to be the opposite. “You should have been right here next to me the whole time.”

“How could I do that?” I asked. “I had people pushing me out the way.”

“You gotta act like a star,” he said, tossing in a few curse words to put an exclamation mark on his point. “Watch me. I’ll show you how.”

The next day, he dressed me up in all this stuff—all that Rick James accouterment that made him bigger than life: boots and tights, leather, and leg warmers. And he had me walking around with him like that—trying to give me a different swagger. “Who are you?” he kept asking me. “I know who I am. The name is Rick James, bitch.” That was not a saying made up by Charlie Murphy and Dave Chappelle for a TV skit. Rick was really like that. That was his thing: “This is rock and roll, bitch.” He insisted I say it, but I couldn’t do it. Having been raised in a preacher’s house, I couldn’t see myself responding to someone who asked me my name with a “My name is Charlie Wilson, bitch!” So I didn’t say it, I didn’t think it, I didn’t act on it. I didn’t run through the women and call them bitches. I just let Rick act on it. And that was okay for a minute, but after a while, I started feeling less than—as if I were the clinger-on and everyone else was the superstar. I felt little. Belittled. Rick, Sly, Stevie Wonder, all the superstars I hung with had everything, and there I was with so little self-esteem. I felt as if I were a nothing, had nothing. Then soon enough, that nothing manifested for real.

Low self-esteem was the bitch.

And ultimately, the catalyst for my spectacular downfall.

Singing the blues didn’t kill me after all. Music, my gift, helped me to soar, dropped me to my lowest of lows, and resurrected me in ways immeasurable. In fact, it, along with God’s goodness and mercy, imprinted on me as a child raised by the hand of a woman who loved and revered the Lord, saved my life.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Fantastic Book, read it non-stop until completed.
By Edward D. Turner
Great book. Wow, we all grew up loving the music of Charlie Wilson, but never did I know his struggles. Too bad I can't loan this book to another Kindle user, I wish Charlie and his team would open that up. In the book Charlie talks about raising his hands to thank God during his shows, check out my attached photo.

1 of 1 people found the following review helpful.
I am glad he came back
By Lisa Denise
I truly enjoyed the book about Charlie Wilson's life. His story gives people hope. It helps to explain why a person who may seemingly have a pretty decent life would choose to go down a path that is in the opposite direction of what he/she was taught. It basically let's us know that drug usage can alter the brain to the point that a person begins to present as mentally ill. Charlie Wilson's story helps those of us who may have written off someone as beyond hope to recognize everyone can be helped if the right help is offered at the right time. I love Charlie Wilson's music and I am so happy he did not allow that drug addiction to take him out. I loved the Gap Band, but It would have been so sad if we had never heard his new music. If you haven't read this book, please do and recognize it is a story worth reading.

1 of 1 people found the following review helpful.
"Uncle Charlie!"
By RYCJ
There was a lot to love and savor about this personal narrative of a music icon. Omitting spoilers his mother and her very early admonition to stay true to his voice wholly won me over. That advice, on top his relationship with Snoop Dogg, for me, rocked this memoir on home. The scene at the gas station will play in my mind over and over again, similar to a comment Rick James made.

Overall, this ‘quiet’ memoir screams of tremendous pain and passion, which as difficult as it was to read, I know it is the rudiments that not only produces high-end art, but is the essence of what inspires others. “The thrill of creation is indescribable. Magical.” – I agree. Highly recommended.

See all 217 customer reviews...

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Sunday, December 14, 2014

[J375.Ebook] Download PDF Plastic Surgery Case Review: Oral Board Study GuideFrom Woo, Albert S./ Shahzad, Farooq/ Snyder-Warwick, Alison K.

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Plastic Surgery Case Review: Oral Board Study GuideFrom Woo, Albert S./ Shahzad, Farooq/ Snyder-Warwick, Alison K.

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Plastic Surgery Case Review: Oral Board Study GuideFrom Woo, Albert S./ Shahzad, Farooq/ Snyder-Warwick, Alison K.


Focusing on the clinical information that must be
mastered for success on oral board exams, Plastic Surgery Case Review presents
50 case studies, each of which highlights a specific topic that is frequently
covered in the oral boards. It contains short, high-yield chapters that are
designed to serve as a thorough yet quick review of pertinent information that
physicians will encounter in the examination.

Key Features:

  • Each
    chapter begins with a case study that is modeled after the oral boards. Each
    case study includes: a description of the case and the work-up for similar
    scenarios, a discussion of treatment options, complications, and critical
    errors to avoid
  • High-quality color illustrations
    throughout
  • Chapters are organized in bullet-point format, making the
    book quick and easy to read

This book will be an essential resource for
plastic surgeons, residents, fellows, and other trainees studying for the oral
board exams and a useful guide for plastic surgeons preparing for operative
cases.

  • Sales Rank: #282722 in Books
  • Brand: Woo, Albert S./ Shahzad, Farooq/ Snyder-Warwick, Alison K.
  • Published on: 2014-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .50" l, 1.60 pounds
  • Binding: Paperback
  • 208 pages

From the Back Cover

Focusing on the clinical information that must be mastered for success on oral board exams, "Plastic Surgery Case Review "presents 50 case studies, each of which highlights a specific topic that is frequently covered in the oral boards. It contains short, high-yield chapters that are designed to serve as a thorough yet quick review of pertinent information that physicians will encounter in the examination.

Key Features: Each chapter begins with a case study that is modeled after the oral boards. Each case study includes: a description of the case and the work-up for similar scenarios, a discussion of treatment options, complications, and critical errors to avoidHigh-quality color illustrations throughoutChapters are organized in bullet-point format, making the book quick and easy to read

This book will be an essential resource for plastic surgeons, residents, fellows, and other trainees studying for the oral board exams and a useful guide for plastic surgeons preparing for operative cases.

About the Author
Section Chief, Pediatric Plastic SurgeryDirector, Cleft Palate-Craniofacial InstituteDivison of Plastic and Reconstructive SurgeryDepartment of SurgeryWashington University, St. LouisAdjunct Assistant Professor, OrthodonticsSaint Louis University

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great for oral boards review, probably not the best as a study guide for the InService ...
By Michelle
I am a an R3 plastic surgery resident in an integrated program, and I bought this book because we have monthly oral boards reviews and I wanted something to help prepare me for those monthly experiences, and get myself ready for the oral boards exam at the end of residency. These cases represent the "bread and butter" of plastic surgery and give a framework for how to approach these topics when they come up in an oral boards case, but are not exceptionally detailed and probably would not be great for use as a study guide for the InService exam or any written test or for case preparation.

The cases are presented in picture format with a few lines of text giving basic information about mechanism of injury or patient concern and basic demographics. The next 1-2 pages goes over a description of the problem, how to work-up the patient (history and physical exam pearls), the basic tenets of treatment, details about surgical techniques, classification schemes (if applicable), possible complications, and what are called "critical errors" or things an oral boards examiner would fail you for.

I use this as a means to quiz myself (I go through the steps before turning to the answer page), and I use it in my study group to quiz my fellow residents. After reading this book I no longer feel like an idiot when I get up in front of my program for my monthly grilling, and I get much better reviews. I think this will help a lot with oral boards preparation.

0 of 0 people found the following review helpful.
Finally a review book for the oral boards that is ...
By anonymous
Finally a review book for the oral boards that is organized, succinct and presents exactly what you will be seeing in your unknown rooms.

0 of 0 people found the following review helpful.
great for oral boards
By Red Wolverine
great for oral boards, very quick and concise. literally 1 unknown case from this book was the exact same picture.

See all 6 customer reviews...

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Friday, December 12, 2014

[X267.Ebook] Free PDF Indie Publishing: How to Design and Publish Your Own Book, by Ellen Lupton

Free PDF Indie Publishing: How to Design and Publish Your Own Book, by Ellen Lupton

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Indie Publishing: How to Design and Publish Your Own Book, by Ellen Lupton

Once referred to derisively as "vanity publishing," self-published books are finally taking their place alongside moreaccepted indie categories such as music, film, and theater. Indie Publishing is a practical guide to creating and distributing printed books regardless of your background, skill set, or ambition. It will help you realize projects of every scale and budget, from the traditional bookmaking techniques used to create zines to the more ambitious industrial production methods required to produce hardcover books in large quantity.

Indie Publishing's special focus on the visual design of books makes it unique among publish-it-yourself manuals. Readers are taken step-by-step through the process of designing a book to give it personal style as well as visual coherence and authority. Design principles such as scale, cropping, pacing, and typography are explored in relation to each example, along with commentary on how to create effective title pages, tables of contents, captions, and more. Indie Publishing aims to inspire readers with examples of print projects similar to those they might undertake on their own. Sample designs include a picture book, artist's portfolio, exhibition catalog, poetry chapbook, novel, and zine. Indie Publishing addresses the important business aspects of independentpublishingfrom how and why you should get an isbn number to creating promotional materials and using the internet to market your book. This comprehensive, illustrated guide concludes with a curated portfolio of the most exciting examples of independent publishing from the contemporary scene, reproduced in full color. If you have content to share and you want to give it a fresh and orderly form, this book will kick-start your project and keep you motivated until the ink dries. Indie Publishing is the eighth title in our best-selling Design Briefs series, which has sold more than 100,000 copies worldwide.

  • Sales Rank: #182778 in Books
  • Brand: Brand: Princeton Architectural Press
  • Published on: 2008-11-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 7.00" l, 1.00 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

Review
"Someday I'm going to make my own book, from start to finish. It's something that I've wanted to do for awhile, a physical parallel to building a web site from scratch. When I do, Ellen Lupton's Indie Publishing will be my guide. At 170-some pages it's not exhaustive, but the book does briefly touch all the bases: typography, cover design, binding types, and examples of several different types of books. There's also a section on handmade books with hands-on directions for making your own book -- folded books, stitched pamphlets, or stab bound -- without having to visit the printer." --Jason Kottke, Kottke.org, October 20, 2008

"The do-it-yourself movement in arts and craftsaccelerated by the wide availability of sophisticated digital technology, as well as access to information, and people, through the internet is creating a boon in one very key area: Self-publishing." -- Harry Allen --Harry Allen Radio (WBAI), April 24th, 2009

"So youve dreamed of creating your own novel/poetry book/portfolio/picture book/zine but havent got a clue where to start? Indie Publishing: How to Design and Produce Your Own Book, edited by Ellen Lupton and published by Princeton Architectural Press, might be a good first step. The inspiring do-it-yourself guide walks you through the bookmaking basics, demystifying the process and providing practical guidance on everything from visual design to printing to marketing." --Curled Up With A Book, February 10, 2009

"Lupton, a 2007 recipient of the AIGA Gold Medal, also directs MICAs Center for Design Thinking, for which faculty and students collaborate on publications that educate the broader community about design issues and practices. The Centers newest publication, Indie Publishing: How to Design and Produce Your Own Book, will be released this month by MICA and Princeton Architectural Press. It was written and designed by GDMFA students and faculty." --Maryland Institute College of Art Newsletter, September, 2008

"An insightful guide on how to design and distribute your self-published book." --How Magazine, April, 2009

"Brilliantly designed and written with an encouraging tone, this also ventures into the world of handmade book arts with concise instructions on how to print and bind your own book. From font choices to binding to distribution, this leaves no question unanswered." --Buds Art Books

"One of my favorite type of books are books about ...Books. This is sort of a manual in how to make and design and produce your own books. It is cleverly designed, and full of good details for the upcoming punk publisher." -- Tosh --Good Reads

"If it is true what insiders claim, that public interest is shifting away from the mass media to independent and small productions, then this book is both a good start and a helpful guide for artists who are producing their own books. Developed by a team of students and professors, it gives readers both confidence and an overview of small publishing houses and artist books. It also explains necessities such as ISBNs and marketing in the book trade and describes in short steps the use of InDesign and how to create hand-crafted artist books. And since this book itself originated from a workshop on book design, every page is a pleasure to behold, and excellent visual solutions are found for all type of difficulties. In recent years, niche products, at least the trust of buyers and now command more on bookshop shelves. More and more, the independent nature of publications is inversely proportionate to the size of the publishing house." --Foam Magazine

Review
"(Indie Publishing) has already proven to be wildly popular indeed, it's already in its second printing, the first sold out almost immediately upon release. Lupton has been the Director of the MFA Graphic Design program at Maryland Institute of College of Art since 1997 and is the author and/or editor of a multitude of books published by P.A.Press: The ABCs of Triangle Square Circle: The Bauhaus and Design Theory, D.I.Y. Design it Yourself, and Thinking with Type: A Critical Guide for Designers, Writers, Editors - Students. With these books, she's proved to be expert at crafting accessible titles about design and now, with the help of a few contributors, independent publishing."

Review
"One of my favorite type of books are books about ...Books. This is sort of a manual in how to make and design and produce your own books. It is cleverly designed, and full of good details for the upcoming punk publisher."

Most helpful customer reviews

1 of 1 people found the following review helpful.
Info that I didn't realize I would need
By April Talbert
I liked that this book gives details about font settings and gives leads to other software and publishing techniques that a "rookie" like me would have not considered.
Consider how much you know about independent publishing before the purchase, you may be wasting money (by finding out things you already know).
This book impacted me by giving me even more hope that, not only can I get published, but also that it could be better quality.
The only thing I have to compare this book to is the fact that "you can publish through any POD service". I found some of the POD services to be a scam through word of mouth.

4 of 4 people found the following review helpful.
Good inspiration
By Steven Dayton
There is some very good inspiration in this little book. There is also some very nice instruction on book construction. I do wish they had spent some time talking about or mentioning some of very good open source graphics apps instead of all the really expensive apps. That would have balanced the book better. But then I guess you can't expect much else from people who are trained in graphic design and tend to be a bit biased. All in all though I would recommend this book as an inspiration tool.

0 of 0 people found the following review helpful.
Highly recommended resource.
By Dave Adler
Excellent resource. Really helped me get my book project off the ground. Highly recommended.

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[E892.Ebook] Free PDF On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett

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On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett

On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett



On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett

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On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett

#1 bestselling author Ken Follett tells the inspiring true story of the Middle East hostage crisis that began in 1978, and of the unconventional means one American used to save his countrymen. . . . 

When two of his employees were held hostage in a heavily guarded prison fortress in Iran, one man took matters into his own hands: businessman H. Ross Perot. His team consisted of a group of volunteers from the executive ranks of his corporation, handpicked and trained by a retired Green Beret officer. To free the imprisoned Americans, they would face incalculable odds on a mission that only true heroes would have dared. . . .

  • Sales Rank: #63703 in Books
  • Brand: Signet
  • Published on: 1984-09-03
  • Released on: 1984-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.94" h x 1.31" w x 4.25" l, .54 pounds
  • Binding: Mass Market Paperback
  • 480 pages
Features
  • Great product!

Review
"A superb edge-of-the-seat true story." —USA Today

"Ken Follett has combined the best of his journalistic skills and his flair for crackling fiction into a nonfiction work that's sure to be read. . . . This is one time when the mad dogs of the world were soundly defeated by the indomitable Yankee spirit and derring-do. . . . On Wings of Eagles soars." —The Kansas City Star 

"Superb. . . . Ken Follett's fans may be reluctant to see him return to fiction." —The New York Times Book Review

"A remarkable adventure." —Los Angeles Times

"Follett at his most spellbinding." —Boston Herald

"A gripping thriller." —Newsday

"An extraordinary story . . . gripping." —Business Week

"Impressive suspense and excitement." —Publishers Weekly

"A first-rate bestseller . . . stirring, provocative, as meticulously detailed and as thrilling as Follett's fictional creations." —The Houston Post

"Excellent. . . . Fifteen American executives led by a feisty ex-Army colonel on a hair-raising mission. . . . No Hollywood scriptwriter could match this adventure." —The Cincinnati Enquirer

"Rich in atmosphere, character, and dialogue. . . . Follett is a pro's pro. . . . If this is not a major motion picture, somebody should kick Hollywood back to life." —New York Daily News 

From the Inside Flap
The Bookcassette® format is a special recording technique developed as a means of condensing the full, unabridged audio text of a book to record it on fewer tapes. In order to listen to these tapes, you will need a cassette player with balance control to adjust left/right speaker output. Special adaptors to allow these tapes to be played on any cassette player are available through the publisher or some US retail electronics stores.

About the Author

Ken Follett is one of the world’s best-loved authors, selling more than 160 million copies of his thirty books. Follett’s first bestseller was Eye of the Needle, a spy story set in the Second World War. 

In 1989 The Pillars of the Earth was published, and has since become the author's most successful novel. It reached number one on bestseller lists around the world and was an Oprah’s Book Club pick.
 
Its sequel, World Without End, proved equally popular, and the Kingsbridge series has sold 38 million copies worldwide. The third book, A Column of Fire, will be published by Viking in Fall 2017.
 
Follett lives in Hertfordshire, England, with his wife Barbara. Between them they have five children, six grandchildren, and three Labradors. 

Most helpful customer reviews

0 of 0 people found the following review helpful.
A riveting true story
By Absnyd
I never knew who Ross Perot was other than an independent presidential candidate! Ken Follet's recreation of the rescue of Perot's employees in Iran in 1979 was riveting and a real page turner and in real Ken Follet form. I was often not able to put it down. The fact that it's a true tale makes it all the more fascinating.

1 of 1 people found the following review helpful.
Free At Last
By jesse sandoval
I had 1st read this book in jail and there was something Ross Perot says that I thought was brilliant. By the time I was released, rejoining society, & getting back on track, I completely forgot what words he used. So besides this book being a true, heroic story of a patriotic mission, the words I sought are now words I recite to myself when making a decision. If you want to know, you gotta read the book.

2 of 2 people found the following review helpful.
The dedication of one employer for his people.
By Carol Greenwood
When things look bad and then go rotten, you need to know you have the best team working with you and for you. Ross Perot expected a lot of his people, but he looked out for his team. This is an extraordinary story of how determined Mr. Perot was to rescue his two employees from Iran.

See all 347 customer reviews...

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On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett PDF
On Wings of Eagles: The Inspiring True Story of One Man's Patriotic Spirit--and His Heroic Mission to Save His Countrymen, by Ken Follett PDF

Wednesday, December 10, 2014

[G496.Ebook] Fee Download The Wild Oats Project: One Woman's Midlife Quest for Passion at Any Cost, by Robin Rinaldi

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The Wild Oats Project: One Woman's Midlife Quest for Passion at Any Cost, by Robin Rinaldi

What if for just one year you let desire call the shots?

The project was simple: Robin Rinaldi, a successful magazine journalist, would move into a San Francisco apartment, join a dating site, and get laid. Never mind that she already owned a beautiful flat a few blocks away, that she was forty-four, or that she was married to a man she'd been in love with for eighteen years. What followed-a year of abandon, heartbreak, and unexpected revelation-is the topic of this riveting memoir, The Wild Oats Project.

Monogamous and sexually cautious her entire adult life, Rinaldi never planned on an open marriage-her priority as she approached midlife was to start a family. But when her husband insisted on a vasectomy, something snapped. If I'm not going to have children, she told herself, then I'm going to have lovers. During the week, she would live alone, seduce men (and women), attend erotic workshops, and have wall-banging sex. On the weekends, she would go home and be a wife. Her marriage provided safety and love, but she also needed passion, and she was willing to go outside her marriage to find it.

At a time when the bestseller lists are topped by books about eroticism and the shifting roles of women, this brave, brutally honest memoir explores how our sexuality defines us, how it relates to maternal longing, and how we must walk the line between loving others and staying true to ourselves. Like the most searing memoirs, The Wild Oats Project challenges our sensibilities, yielding truths that we all can recognize but that few would dare write down.

  • Sales Rank: #488949 in Books
  • Published on: 2015-03-17
  • Released on: 2015-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.08" w x 5.88" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

Review

“Rinaldi yields insights through her willingness to reveal the messy way she muddles through the year... Unlike other recent memoirs in which a woman, finding her life wanting, learns what frightens her and emerges with a stronger sense of self, this one, to its credit, doesn't go for the Hallmark-card ending.” ―Elle

“Brutally honest and real . . . Refreshing” ―The Daily Beast

“A sexual-awakening romp wrapped in a female-empowerment narrative” ―The Washington Post

“If you want to read something about somebody who might be a lot like you, somebody who's brave enough to admit that she doesn't always (or even usually) know what she's doing but she does it anyway, somebody who won't preach at you or make you feel like you have it even less together than you do--then you can't NOT read this book.” ―Sara Nelson, Omnivoracious

“A stunning report . . . Readers will be provoked and fascinated by Rinaldi's forthright memoir of daredevil sexual exploration and self-liberation.” ―Booklist

“Rinaldi does not hide the dark side to this odyssey . . . her ability to grasp its soul-driving necessity without insisting on winning over her readers renders this a notable work of self-knowledge.” ―Publishers Weekly

“A sensitive, intimate and bold story.” ―Kirkus

“Robin Rinaldi's horizontal adventures will make you howl with laughter and cry with recognition--whatever the state of your romantic or sex life. And you'll stay up all night reading to learn how it all turns out. Her bravery and introspection are inspiring to anyone who has taken a moment to wonder: Is there more to life than this?” ―Amy Sohn, author of The Actress and Prospect Park West

“Her daring project and avid search for passion is a true page-turner. For anyone who's wondered 'what if' or 'should I?'” ―Library Journal

“The Wild Oats Project uniquely chronicles an intelligent woman's exhilarating pilgrimage into the rest of her life, living as she damn well pleases. And why not? Men have been doing so since the beginning of time. Rinaldi's memoir is groundbreaking, sexy, and a joy to read.” ―Suzanne Finnamore, author of Split: A Memoir of Divorce

“Robin Rinaldi's The Wild Oats Project is a daring and enlightening exploration of sexual identity, marriage, and the search for an authentic self. Rinaldi takes the reader on an enthralling journey, one that will not soon be forgotten. The Wild Oats Project is a rich and essential read.” ―Laura van den Berg, author of The Isle of Youth

“I loved this brave and inspiring book. Rinaldi rejects middle-aged quiescence in favor of living boldly, sensually, and to the hilt. Would that we all were so brave.” ―Julia Scheeres, New York Times bestselling author of Jesus Land

“Extraordinarily frank . . . Her book is important because of the way it unashamedly puts the quest for female sexual fulfillment centre stage . . . It is a testament to how far feminism has taken us all that a woman can not only undertake such an adventure but write about it so brazenly. And in a porn-saturated world where, too often, the lens through which we see sex is masculine, her unapologetic account of her search for sexual nirvana is hugely refreshing.” ―Sunday Times

“[Rinaldi] seduces us with her candor and vulnerability” ―Chicago Tribune

About the Author
Robin Rinaldi is a journalist and the author of The Wild Oats Project: One Woman's Midlife Quest for Passion at Any Cost. Her bylines appear in The New York Times, Oprah Magazine, Yoga Journal, and elsewhere, and she has been featured on Dr. Oz, The Meredith Vieira Show, Dr. Drew, and BBC Radio.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Not that Wild
By E. Marie
I found the story interesting at first. I tried to enter into it without judgement or bias. I think many people wonder what an open relationship would be like, but don't want to admit it. Honestly though, the book is just very slow-moving and gets stale after awhile. The narrator is difficult to identify with & comes off as a bored, confused, & privileged woman.

2 of 2 people found the following review helpful.
I did it my way
By dgantzler
A very good read. It certainly took me outside my comfort zone, but I found the book to be not only titillating, but entertaining and enlightening. It would be easy to label the author as shameless, self centered and slutty, but I think it took a lot of courage to be true to herself and then write about it in detail. I think Robin Rinaldi embodies the old Sinatra song "I did it my way".

3 of 3 people found the following review helpful.
sleeping with lots of random strangers does not make a marriage better or stronger
By Amazon CustomerJevickyO
A very interesting read by a woman who took an unusual approach to "fixing" her marriage. Big surprise ending....sleeping with lots of random strangers does not make a marriage better or stronger. Personally I would have left the marriage before all the sexual experimenting. Not judging though. Reading this book helped me remember that important life lesson "it's Not all about me".

See all 170 customer reviews...

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Tuesday, December 9, 2014

[P417.Ebook] Free Ebook Slimming World Food Optimising, by Slimming World

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Food Optimising by Slimming World enables you to make the most of healthy yet delicious food. No foods are banned, there’s no calorie counting and there are hundreds of ‘Free Foods’ which can be eaten in unlimited amounts. Food Optimising was originally designed for Slimming World members to make slimming easier and more enjoyable. Now for the first time, this book makes it available to everyone. Packed with nutritional, lifestyle and diet information, as well as over 120 wonderfully healthy recipes, simply follow this healthy eating plan and see the weight fall off – and keep off.

  • Sales Rank: #195074 in Books
  • Brand: imusti
  • Published on: 2000-08-01
  • Released on: 2000-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x 1.00" w x 7.80" l, 2.15 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Random House UK

From the Inside Flap
A unique low-fat, healthy eating plan from the UK's leading slimming brand. Having plenty to eat and no forbidden food is every dieter's dream. It sounds too good to be true, but that's the approach that Slimming World uses. Now for the first time, this book makes Slimming World's eating plan available to everyone. It's full of nutritional, lifestyle and diet information, as well as over 150 healthy recipes.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Amazing diet
By xmx
This diet, eating plan is amazing, why its not bigger in the US I'll never know, I have friends who have lost 5/6/7 stones (60/90/100+lb) if you like big portions this is the book for you.

5 of 5 people found the following review helpful.
Great book
By Helen
Full of all the information you will need to put you on the track of eating nice satisfying foods and losing weight is an added benefit. I loved the food very tasty and a good easy read book to understand

3 of 3 people found the following review helpful.
Eat to your hearts content and get slim and healthy.
By LILLY LEW
Great book, gives plenty of detail. Turned me into a sensible eater. Oh and I've lost 5 kilos in 6 weeks. Great.

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