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A great masterpiece never before available in English, Kornél Esti is the wild final book by a Hungarian genius.
Crazy, funny and gorgeously dark, Kornél Esti sets into rollicking action a series of adventures about a man and his wicked dopplegänger, who breathes every forbidden idea of his childhood into his ear, and then reappears decades later.Part Gogol, part Chekhov, and all brilliance, Kosztolányi in his final book serves up his most magical, radical, and intoxicating work. Here is a novel which inquires: What if your id (loyally keeping your name) decides to strike out on its own, cuts a disreputable swath through the world, and then sends home to you all its unpaid bills and ruined maidens? And then: What if you and your alter ego decide to write a book together?
- Sales Rank: #701866 in Books
- Published on: 2011-02-25
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .52 pounds
- Binding: Paperback
- 240 pages
From Publishers Weekly
A collaboration between an unnamed narrator and his wild prankster of a friend, this collection of vignettes follows the adventures of the sometimes poet Kornél Esti from a Budapest coffee shop to his unlikely interactions with a Bulgarian train guard and other charmers, mostly of the early-20th-century, ink-stained variety. Esti, "a half-baked literary freak," is smart, funny, and exciting, apparently everything the narrator is not—"I paid dearly for our friendship," the narrator says. Kosztolányi (1885–1936) skillfully draws the narrator's admiration and envy of Esti, leaving the reader feeling the same sense of wonder for the ersatz hero that our increasingly invisible storyteller has. One can't help being charmed by the duo, one with "determined eccentricity" and the other with begrudging admiration, and Adams's clean translation, with helpful footnotes, makes this nearly 80-year-old novel feel almost modern and easily entertaining. (Feb.)
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From Booklist
Originally published in 1933 and identified as a novel, Hungarian author Kosztol�nyi�s tale is actually a collection of linked stories, each chapter a first-person, picaresque narrative and a wicked allegory, full of pungent comedy, occasionally at the reader�s expense. It has a simple premise: as all children do, a boy meets id, and boy and id reek havoc. They part, the maturing young man increasingly mortified by this doppelganger. Time passes. Past 40 and nostalgic, the man finds his bohemian �friend,� and they agree to write something together. Bernard Adams garnered a PEN Translation Fund award for this first English version of Kosztol�nyi�s last book. In uncluttered prose he captures the unreliable narrator�s arch tone. Even the most famous Homeric epithet gets a vicious twist: �Dawn, rosy-fingered, with dirty nails.� Not for everyone in the same way that Kafka and Borges leave some readers cold, Korn�l Esti is kin to the work of those great souls. Like their best writing, this extraordinary book might change a reader�s life. --Michael Autrey
Review
Kosztolányi was a ringleader in the 20th-century flowering of Hungarianliterature, a poet who reformed the language, and a fiction writer of worldclass.
A tender comedy tinged with the absurdity oflife, the thrill of sociability, and the imminence of death, which I guess isexactly the kind of book I like. --Chad Harbach (12/09/2011)
If anyone ever truly wanted to write the history of the Hungarian people, the author would certainly take that Dantean first sentence of Kosztolanyi s Kornel Esti as the work s epigraph: in a word, the most wondrous first sentence ever written in the Hungarian language. --Laszlo Krasznahorkai"
Each of these stories displays a mastery of texture, nuance, and pacing that is absolutely first rate.--Christopher Byrd
Kosztolanyi was a ringleader in the 20th-century flowering of Hungarian literature, a poet who reformed the language, and a fiction writer of world class.
One of the most important and glittering writers of a Hungarian golden age, Kosztolanyi is multicolored and ineffable, like a rainbow. At the end of his life, the virtuoso Kornel Esti appears.--Peter Esterhazy
A tender comedy tinged with the absurdity of life, the thrill of sociability, and the imminence of death, which I guess is exactly the kind of book I like.--Chad Harbach (12/09/2011)
Most helpful customer reviews
4 of 4 people found the following review helpful.
Hungarian spice, charm, and cynicism
By R. M. Peterson
This is an odd book, even by Hungarian standards. At the beginning of it, Kornél Esti is introduced as the doppelgänger of the author Dezső Kosztolányi. They both were born March 29, 1885, and Kornél Esti is Kosztolányi's roguish, devil-may-care id. The book begins as though it were a novel, a psychological one, perhaps, that explores issues of identity, like a light-hearted "Jekyll and Hyde". But before the midway point it has settled into a series of stories or episodes from the life of Kornél Esti.
Most of the stories partake of fantasy or farce. There also are generous doses of social criticism and satire, directed at Hungarians from the provinces and from Budapest, at Germans, and at such pre-WWI phenomena as Central European luxury hotels. Throughout, Kosztolányi displays the sort of gently ironic, mocking humor that, in my experience, is characteristic of Hungarian writers. The overall insouciance, however, does not completely mask an underlying dark, even evil, streak.
Here is a typical excerpt, which is a description of the eponymous hero: "He didn't understand life. He had no conception of why he had been born into the world. As he saw it, anyone to whose lot fell this adventure, the purpose of which was unknown but the end of which was annihilation, that person was absolved from all responsibility and had the right to do as he pleased--for example, to lie full length in the street and begin to moan without any reason--without deserving the slightest censure."
In reading KORNÉL ESTI I was reminded very much of another noted Hungarian author of the first part of the twentieth century, Gyula Krúdy. Certain aspects of the book also brought to mind Kafka, whose span of life (1883-1924) basically paralleled that of Kosztolányi (1885-1936).
The concluding story is excellent. Many of the earlier stories are charming, one about a kleptomaniac translator is devilishly clever, but a few are, frankly, boring (perhaps they simply haven't aged well). KORNÉL ESTI was published in 1933, and it was the last of Kosztolányi's books. It is thought by some to be his best work, but I prefer "Skylark" (the only other of his books I have read).
3 of 3 people found the following review helpful.
An absolutely brilliant book!
By William Shinevar
If you are reading this review, and consequently have already perchance found the amazon webpage for buying this book, I will tell you with all of my confidence to stop reading this review, go purchase this book, and then let me finish explaining why this book is of utter importance to buy.
I picked this book up after seeing it was praised by Krasznahorkai, another wonderful author, but that is not the point. The book is short, but full of wit and humor. With only the wonderful eponymous poet to tie together the fragments, this book reads better as a short story collection than a novel, but the insight into different ideas is staggering, humorous, and at times a bit awe-inspiring. I don't want to go into any specific stories here wishing to give no spoilers to you, the future reader.
TLDR: I don't often give book reviews, as I can't just rate the book, but definitely pick this up. One of the most pleasurable and thought-inducing reads I have had this year.
0 of 0 people found the following review helpful.
Surreal, hilarious, profound
By Joel Marks
This book is just brilliant. It is not a novel with a plot so much as a set of episodes, some surreal and many hilarious, in the life of the wacky (fictitious) writer Kornél Esti. The book begins with a gimmick involving alter egos, and I wasn't sure if this was going to hold my attention. But as it turned out, this has very little bearing on the rest of the book, so far as I can make out. Instead I found myself simply enjoying the bizarre, sometimes profound, sometimes moving, sometimes charming tales of the singular Esti.
This book also serves as testimony to the huge talent of the true author, Deszö Kosztolányi. "Kornél Esti" could not be more different from his down-to-earth and tragic "Skylark," yet both are masterpieces (and both do contain humor as well as tragedy).
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