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The Road, by Cormac McCarthy
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NATIONAL BESTSELLER
PULITZER PRIZE WINNER
National Book Critics Circle Award Finalist
A New York Times Notable Book
One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post
The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
- Sales Rank: #966 in Books
- Brand: Vintage Books
- Published on: 2006-03-28
- Released on: 2007-03-28
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.20" l, .75 pounds
- Binding: Paperback
- 287 pages
- Great product!
Amazon.com Review
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham
Guest Reviewer: Dennis Lehane
Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).
Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane
From Publishers Weekly
Starred Review. Violence, in McCarthy's postapocalyptic tour de force, has been visited worldwide in the form of a "long shear of light and then a series of low concussions" that leaves cities and forests burned, birds and fish dead and the earth shrouded in gray clouds of ash. In this landscape, an unnamed man and his young son journey down a road to get to the sea. (The man's wife, who gave birth to the boy after calamity struck, has killed herself.) They carry blankets and scavenged food in a shopping cart, and the man is armed with a revolver loaded with his last two bullets. Beyond the ever-present possibility of starvation lies the threat of roving bands of cannibalistic thugs. The man assures the boy that the two of them are "good guys," but from the way his father treats other stray survivors the boy sees that his father has turned into an amoral survivalist, tenuously attached to the morality of the past by his fierce love for his son. McCarthy establishes himself here as the closest thing in American literature to an Old Testament prophet, trolling the blackest registers of human emotion to create a haunting and grim novel about civilization's slow death after the power goes out. 250,000 announced first printing; BOMC main selection.(Oct.)
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From The New Yorker
In his new novel, McCarthy exchanges the bleak Western setting of previous works for an even bleaker post-apocalyptic one. As usual, lawless space engenders violence, but here a nuclear holocaust has reduced everything to ash, mummifying all but a few unlucky souls, who must kill or be killed (and eaten). The main characters are a father and his son, who was born a few nights after the bombs fell. "We're still the good guys," the man repeatedly assures the boy as they scavenge their way south for the winter, trying to avoid "bad guy" survival techniques. Even by McCarthy's standards, the horrors here—an infant "headless and gutted and blackening on the spit"—are extreme, and, deprived of historical context, his brutality can seem willful. But McCarthy's prose retains its ability to seduce—the deathscape is "like the onset of some cold glaucoma dimming away the world"—and there are nods to the gentler aspects of the human spirit.
Copyright © 2006 Click here to subscribe to The New Yorker
Most helpful customer reviews
28 of 29 people found the following review helpful.
Dark but beautiful
By supervalu
To say that The Road is a rather dark book would be quite the understatement....
As far as dystopian literature goes, this is quite a step.
The story of a father and his son, walking to the sea through a ravaged, cold and grey world, hoping to somehow, find a better place, doesn't leave much space for a happy ending. Bleak is truly bleak here, not a lot of silver linings!
And yet...and yet, this is a beautiful book.
The writing is fantastic, for starter. The style, with short and descriptive sentences, carries the story to perfection. It also has a poetic quality that softens what is said/described and gives it another dimension.
The real beauty of the novel isn't on the outside though, but resides inside, in the incredible bond uniting father and son, a love so deep and unconditional that it seems to erase age gap and life experience, to only focus on their desire to care for each other. This love and concomitant sense of humanity stripped to its essence, manage to give sense and meaning to their otherwise hopeless journey.
On a deeper level, it also seems to invite us to reflect on what makes a life meaningful: beyond a primal survival instinct, what makes life worth living even when there is no hope in sight? The Road's answer is that, ultimately, what matters isn't "what" makes your life, but "how" you choose to live that "what"...
9 of 9 people found the following review helpful.
Excruciating. Beautiful.
By Todd Templeman
I hate to give this book five stars.
I'm a father. I read The Road years ago when my son was nine. I honestly had no idea at the time that I was picking up a book about a father and his roughly nine year old son. That's not a spoiler, you find that out on the first page.
Look, Cormac McCarthy writes so well I actually come back to his books on my shelves and open them up randomly, just to read a page and soothe my brain. But he digs the knife in so deep. I've actually hesitated to review his books before because there is so much beauty in the writing I just don't have the first ability to get a sense of it across.
More than that. I actually resented him after finishing this book. I wanted to shake his hand and punch him in the face. Maybe that's why I waited so long to finally admit this book deserves any accolade I could give it.
I finished The Road while sitting on a plane in Hong Kong, waiting to take off in the rain. I was a grown man, struggling so hard not to sob out loud that I started to choke. You might want to try "All the Pretty Horses" first, or even "No Country for Old Men," but those will grip you, too. I've never seen the man pull a punch. I think it also might depend where you are in your life. Just take my advice, if you're a father and you have a young boy, hold off on this, or at least read it when no one is around.
2 of 2 people found the following review helpful.
If There is No Hope Left, Should You Continue to Live?
By TA
If you are a father of a young son, this will be a deeply moving and disturbing book to read. Heck, if you are a human being, this will be a disturbing book. I was actually warned by a fellow father: "Do not read that book!" But, I wanted to read McCarthy and frankly, this seemed more palatable than Blood Meridian.
I read the book very slowly - in fact, the way its written, you are forced to slowly swallow and linger on the words McCarthy uses - and that leads to terrifying dread for the characters in the book. I had to read it in a day because I simply wanted it to end. Reading this story is like walking on the edge of a cliff. It is tense, the imagery at times is shocking, and the small, beautiful human relationship between father and son is something you want to preserve as long as you can in the bleak world that McCarthy has created, a bleak world that is completely realistic.
The moral question for me in this story is, if there is no beauty, no hope and not even a semblance of human love left on this Earth, and every day is a day that can bring perilous, brutal, gut wrenching violence on you and your loved ones, is it better to continue on Earth or is simply better to take your life and the ones you love? I have to admit that throughout points in this book, I was hoping that the characters would take their own lives. That McCarthy was able to pose this question in such a realistic and cold world is a compliment to his talent.
I am a chicken when it comes to seeing movies or reading stories where there is disturbing violence committed on innocents. As such, I carefully started this book but for those like me, do not hesitate. Read this story.
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